One of the main attractions in sound creation, perhaps especially in experimental music and, for me personally, especially especially in HNW, is how much it is a narrative medium, in a practically writerly fashion. Voices can be employed at will, either by adjustments in sound design, thematic approach, visual identity or any combination of these.Continue reading “From the archives: Malheurr – Purge Fluids (Causerie Sur Le Temps) C20”
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